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LOVJA
( İSTANBUL )  —
TREN
Gallery

Everything we claim
is here

Every frame below is real Lovja work, photographed in the studio under directed light — because what a surface does can only be seen when the light is under control. Look closely. As closely as you like.

Before and after
Before — Before and after
Before
After — Before and after
After

Worn, stained and shortened natural teeth. The same mouth after Ceramirr: the light liquefies on the surface and its striking, fluid brilliance is plain here — the reflection flows and never breaks. Every cut line was drawn for this patient alone, and no surface came out of a mould.

In motion
A photograph freezes light in a single instant. Brilliance, however, is born of movement rather than of the instant: every time the surface shifts, a new sequence of reflections begins. This is what a photograph cannot show.

We publish intra-oral images only with the patient's written consent. An image of a patient's mouth is their health data; nothing without consent ever leaves our archive. The work below was photographed on models — the cut, the surface and the light are the same.

On the model

Every Lovja is inspected like this on the model before it ever reaches a mouth. The coloured light is not for show — it is a measuring instrument: the smallest irregularity on a surface reveals itself only when the light strikes at an angle. Nothing leaves the laboratory without passing here.

The finished upper arch on the model, seen from above
The upper arch on the model — coloured light breaking across the surface in lines
The set on the model, with its own reflection
Work on the model under blue light
Both arches side by side — upper and lower are planned together
The finished set on the model, in warm light
Light breaking on the surface — the signature of the Elter polish
Surface inspection — coloured light betrays the smallest irregularity
The upper arch on the model in warm light
The front teeth on the model, lit from the side
The set on the model under coloured light
The set on the model under orange light
Occlusion check — upper and lower arches meeting on the model
Surface inspection on the model in cold light

The same light, the same magnification, the same discipline in every frame.